In many industries, the words “Aged” and “Old” have bad connotations. In the faux industry, however, you might as well be talking about El Dorado, Valhalla or The Emerald City — it’s something to aspire to. To get anything to have a “centuries-old” look, you have to take into account what could get it there. Wind, driving rain, heat from the sun, pollution, mistreatment, breakdown of materials, improper use of materials, natural disasters, grime and/or just plain old neglect are a few causes. There are also many tools you can use to get there in a short amount of time: hammers, nails, sandpaper, steel wool, milk paint, crackle materials, pickling stains and aging glazes. I’m sure I’ve probably forgotten to mention other products and tools you could also use.
I’ve compiled some pics to showcase in this entry and in Part II as well. In my eyes, I can only see the beauty of the effects of the passing years. Looking beyond each surface and breaking down the layers, an artist will have to account for a good balance of color, texture and age. In essence, find a way to be Perfectly Imperfect. This will sometimes require layers of work. Rome wasn’t built in a day, you know. Or in our case, hasn’t weathered in a day.
It would be so nice to be able to sit in this garden bench in the early morning hours. The walls look like they might have plaster over bricks (see the faint indentations?) and there is, of course, water damage and dirt around the bench. One way to achieve this look is using varying shades of tinted aqua plaster on the walls and then layering glazes/acrylic colors in various mossy shades as well as dark, dark browns, greys, some white and black.
Two different types of water features. I love the background of the Left (maybe using oxidizing patinas and/or silver metallic with a rust-colored watery paint to get there). The one on the Right is a more traditional stone - different shades of grays, browns, ochres and white.

The following two photographs are stained and weathered wood pics. Some of my favorite water-based wood stains come from Faux Effects. The second pic features stencilling on the planks in a “pattern box” style, perhaps using milk paint.
This last pic showcases the appeal of taking years to grow vines. I love, love, love this look and so I thought I’d end this entry with a photograph of the vine growing in an unusual place. Years ago, I got lost in Winter Park, FL and saw a house that had gorgeous ivy all over its exterior walls. I literally had to park the car, get out and just admire its beauty. Try as I might, I haven’t been able to retrace my steps and find that home again. It’s probably just as well — it’s hard to come back from a “stalker” reputation, LOL!
Until Part II…
Pics courtesy of Phoenix Home & Garden and Period Finishes & Effects.