I met Valerie Cuzzola, the current President of Florida’s Golden Palette, a few years ago when I joined the organization. I really got to know her when I served as Vice President in 2003-2004 and I saw how much love and effort she puts forth in creating a haven for artists and hobbyists to learn and network. All the current officers work hard as well to ensure that good friendships are created and the ridiculously affordable classes offered every month for members are well-thought out and offer quality information and introductions to new products. They even have a great newsletter every month chock full of great information and pictures! I turned to Valerie tointroduce you (my faithful blog readers) to an organization that is, I believe, vital to our local artisan community.
Tell us a little about Florida’s Golden Palette (FGP) and its philosophy. It all starts with the Stencil Artisan’s League, Inc. (SALI), an organization that began in 1984 to bring together artists not just stencillers but also faux artists and muralists — of every skill level to learn from each other and to honor old world techniques while embracing and refining “new world” artistic expressions. FGP is the Florida chapter of SALI, which started in June of 2000 and has been going strong ever since. In January 2008, we are starting our new chapter. We have grown so much and are so spread out in Florida that we need to reach those that can not drive the 2 or 3 hours (i.e., Tampa, Sarasota, Naples, Orlando) to get to one of our meetings, which we hold in a different city every time. This will result in more members for each chapter as well as SALI national.
What is FGP’s philosophy? I believe that FGP represents all artists. We are a chapter that has:
1. members that are just starting out in business.
2. members that are hobbyist.
3. members that are professionals, full and part time.
We all share our so-called faux secrets, give advice and help each other when we are in a jam.
Where do you see interior design and/or faux finishing heading in the future? I see and read that design is going back to a more relaxed atmosphere using warmer colors, using more of the bright colors in the decorations and addressing and painting the fifth wall, ceilings. Murals also have softer, more muted colors. One of the newer concepts is decorative-finished concrete floors with a few area rugs, which is a great cosmopolitan look.
What are some misconceptions about decorative painting and/or faux finishing that you or the members encounter?? Well, we still get “oh that sponge painting stuff” from years ago that really did look like a sponge dipped in paint. Decorative painting has evolved to express a much more elegant feel. Darker colors are being used more and more in small spaces. The old wives tale that dark colors in a small room makes it look smaller is just not true. The right dark colors can make a room look larger and also add warmth.
What are some of the most current hot decorative finishing styles you see the members creating? Lots and lots of texture. Metallics. Also, the one-time-use stencils that you can order or have locally made.
Please describe your monthly meetings and classes. We usually have a 30 - 45 minute chapter meeting followed by a class. The classes can range from stenciling, faux painting, color theory, a 2-day mural class and anything in between. The classes are taught by members or we may bring in a special renowned guest. We meet once a month on the second Saturday of every month. The only two exceptions are in July when most of us go to the yearly SALI convention and in December, when we have a wonderful Christmas get-together.
What are some of the member’s favorite finishes, color combinations and/or products to work with? I think each member has their own favorites. Some love and only do murals. Others like the simple one color faux. There are those that absolutely love the textures nothing like getting out the trowel and slathering product on the walls. Oh, can’t forget the ones that would rather work from home and do beautiful hand painted furniture.
What has been the most positive and/or fulfilling project the FGP has worked on? We have worked on so many fulfilling projects. Two of my favorites:
1.The Russell House: “Grandma Russell” died in 2003 and the daughters and other family members are now running the Orlando home, which does not have government funding and survive only on donations. It was started by the Russell family in Orlando more than 50 years ago. She started caring for children who were mentally challenged and did not have anyone to take care of them. She still has the first child that she took in and the family has grown to 20 something!
2. The Children’s Home (”The Hope House”): A place where children stay when they are in between foster homes. Children arrive at the Hope House with their few personal belongings in paper bags. We supplied these kids with huge canvas duffel bags and taught them how to personalize them with stencils.
Any design and/or finishing books or videos that you recommend for us to read?? I read any faux book I can get my hands on. Even if there is nothing in there at the time I can use, it seems that something always comes up on a project that I can go back to one of books and find the answer. I’m not a muralist but from watching faux videos on murals, I have stepped out of my comfort zone and done some wonderful kids murals. One of my favorites is by Charlene Clesceri. It’s a step by step video and has been a staple in my library.
What design and/or finishing advice would you offer our blog readers? Play, Play, Play!!! Get out in your garage and practice, practice, practice. Practice on a wall in your spare room or any wall in your house. If you don’t like it…….it’s only paint. JUST DO IT!!!!! Join your local SALI chapter.

Thank you for your insights, Valerie! Both the Florida’s Golden Palette and Stencil Artisan’s League, Inc. (SALI) are very good about listening and anticipating their member’s needs and continually adapting and steering the organizations to reflect changes. This is what makes an organization valuable to its members one that can grow and evolve with the times, design styles and their member’s increasingly savvy and developing tastes. I myself have been remiss in attending the monthly meetings but have made it a point for myself in the upcoming year to reacquaint myself with this wonderful organization. If you have any creative bones in your body itching to get out, I urge you to attend a meeting and class and see how this organization can help your artistry can take flight. It’s an amazing group of people and I hope to see you there!
(Please note that this profile will also be available as an archive in our Message Forum.)